![]() ![]() ![]() Shot entirely from her home, Miley will perform some of her most iconic. For Wednesday’s much-hyped closer, Cyrus brought Madonna onstage for an ungainly mash-up of “We Can’t Stop” and Madonna’s “Don’t Tell Me,” two declarations of pop-star intransigence from women who’ve faced plenty of opposition.Īnd though the song sounded terrible, there was something undeniably exciting about watching the singers continue to say no - Madonna to those who insist she give it up, Cyrus to those who demand she just be herself. The premiere of Miley Cyrus: MTV Unplugged became the highest-rated episode of the series in the past decade, and set a new digital Unplugged record, triggering more than 1.7 million streams in. Miley Cyrus presents a special Unplugged edition of her series Backyard Sessions. Not that show business can’t provide its own meaning. Ditto her cover of Parton’s “Jolene,” which she sang well enough but didn’t endow with any meaning deeper than her respect for country-music show business. And though she’s likely sung it dozens (if not hundreds) of times over the last year, Cyrus seemed to access a fresh reserve of hurt for “Wrecking Ball” she rushed the ballad in a way that suggested she hasn’t grown inured to its power.Īt other points, though, Cyrus’ reaching felt more like grasping, as in a frantic, tuneless “SMS (Bangerz)” and “Drive,” a dreary piano ballad in which her intensity seemed to lack a specific target. “Rooting for My Baby” had a similar friction, with the neediness in her voice playing against the dreamy thrum of a song channeling “Rumours”-era Fleetwood Mac. It was perhaps a perfect encapsulation of present-day Miley: a country foundation distorted through the funhouse mirror of pop outrageousness, with a good amount of tongue in cheek.PHOTOS: Clive Davis’ Pre-Grammy Gala | Performances The backing band, the suitably named Social Distancers, provided a solid setup for the acoustic concert to bring Cyrus. The song, a combination of pop and techno vibes, finds Miley Cyrus content with a new lover who might even be the one. With multiple campy costume changes and an impressive stage design, Cyrus runs through a wide variety of covers. She leapt onstage accompanied by two backup dancers - including a little person in a red gingham gimp suit - and two men in a horse costume. Miley Cyrus's new 'Backyard Sessions' edition of MTV Unplugged premiered October 16 in the United States (and will be released internationally in the coming weeks). “I’m trying to bring Nashville here and get everyone in the country spirit tonight,” she said, opening with a three-song set in full country drag: a blonde bob wig and a skintight gingham jumpsuit. But in the PM, that’s where the energy of the LA night takes over. hoedown throwdown”) repeatedly referenced her roots. For her, the AM is full of buzz, and the potential of a new day. Throughout her Unplugged session, Cyrus (who called Madonna’s 2009 hit “the O.G. Madge took the redo in stride: “Now we’re gonna have to be even nastier.” (They were.) The duo actually ran through their duet twice because Cyrus had forgotten to wear the matching cowboy hat she was given by Madonna. “It sounds super lame, but as a pop star it’s pretty cool to sing with Madonna.” “That was pretty f-ing cool, you guys,” Cyrus said afterward, referencing her oft-parodied catchphrase from her earlier days. ![]() Like Britney Spears and Christina Aguilera before her, Cyrus’ collaboration with Madonna brought out her sapphic instincts, grinding against the 55-year-old pop icon and, at one point, spanking her. ![]() The singer stuck to tracks from Bangerz for her own songs, but she also paid homage to “Aunt Dolly ” with an authentically twanged rendition of “Jolene,” as well as a rocking, powerful cover of Arctic Monkeys’ “Why’d You Only Call Me When You’re High?” and a mashup of her summer hit “We Can’t Stop” with Madonna‘s “Don’t Tell Me” - featuring the Queen of Pop herself. 1 h IMDb RATING 8.0 /10 5 YOUR RATING Rate Documentary Music Miley Cyrus performs an acoustic set of original songs and covers including Britney Spears's 'Gimme More,' and is joined by Noah Cyrus for a rendition of 'I Got So High That I Saw Jesus. “I wanted it to be in a club, but they probably knew I wouldn’t be onstage - singing my songs, anyway.” Miley Cyrus is getting 'Unplugged' again for a new MTV special, where she'll perform covers of Britney Spears, Pearl Jam, and more, plus acoustic versions of her new and hit songs. “It’s so weird not having this be a real show,” she said. PHOTOS: The Most Dramatic Child Star Transformations ![]()
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